All She Males Clips
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OK, so maybe just me. But simply watching awesome skills isn't enough. No, I'm a needy dance-show viewer. I want to feel something for the dancer, I want to care. I want to worry if they do well. I want to be excited to see what they'll do next week. And sure, I think the show strikes a fairly good balance of showing actual footage of the good dancers and keeping the bad dancers to the easily fast-forwardable montage clips, but there's still a lot of filler. Like the Dad Dance-Off. Please, Show. Spare us more of that. Unless it's something truly meaningful and memorable. And the Bottle Dance Yeah, not even. I filed it under \"Please, if there is a God, I'll forget I ever saw that.\" Because dads Should not be doing that dance. Not in front of their daughters, and definitely not on my television. Just. No.
Once extracted, the values for each characteristic were then averaged across the clips for each identity in order to generate a single measure per characteristic and per identity for the purposes of comparison. Finally, standardised difference scores were generated for each characteristic, and were summed across all characteristics to provide an overall index of similarity (see Table 1).
Confusability matrices when matching the singing and speaking clips (top two panels) and when matching the two speaking clips (bottom two panels). Celebrity matrices are shown on the left. Erroneous matches to the foil speaking clips are shown in blue in the bottom three rows of each matrix. Lighter cells indicate a higher incidence of pairing and thus are expected along the diagonal from top left to bottom right. Yellow cells indicate an erroneous cross-sex match.
The results suggest that performance was better when pairing two speaking clips than when pairing a singing clip with a speaking clip. This supported our expectations given that the singing voice represented a substantial variation from the normal speaking voice. Moreover, and as expected, performance was better when the voices were known to the listener than when unknown. Of more interest, the familiarity of the voice enabled the listener to cope better with the variation caused by singing. These results suggest a benefit from having an existing stored mental representation that likely reflected the natural variation that listeners had already experienced in each known voice. This particularly helped the listener when making sense of extreme albeit natural vocal change brought about by singing. Interestingly, however, this tolerance of vocal change in the familiar voice may have contributed to a misinterpretation of the between-person variability as within-person variability, thus causing a greater instance of pairing errors when listening to different celebrity speakers. This was an unanticipated finding, which remains an interesting element for future work to explore. 781b155fdc
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